Sunday, November 23, 2014

Red in Tooth and Claw

PAUL WEST

an excerpt from a novel forthcoming from Onager Editions 

WEEKS LATER, as he bled through clumsy necktie tourniquets into the makeshift bed of a big wooden drawer hauled outside by the few surviving Red Cross nurses, Ludwik Czimanski remembered the golden Poland of before, and the bicycle festooned with his suits. The land had been alive with doomed people full of flamboyant bad humor, dryly joking about motor torpedo boats, the famous statue in Warsaw of Kilinski brandishing his saber at the sky with a face of invitational outrage, and the invincible yellow-capped national cavalry whose red and white guidons flapped above their heads like swallows’ wings. How uncanny the sky had been, stunning him like a blue gas his mind’s eye inhaled again and again: the drug from nowhere that wiped out the ills of the land. Everyone had looked upward, inhaling hard (at least as he remembered them), looking not for the first wave of bombers but for scrubbed and rosy refugee camps arranged in vistas tapering infinitely up to that comfy other where in which, as legend said, everything went right.
        Now, fading away in the big drawer that once held toys or starched and ironed bed sheets, he wondered hopelessly about his wife and son, lost somewhere in the broken landscape, and the suits with which he had tried to bargain before the Huns moved in. In spite of the smoke and brick dust obscuring the yard of the first-aid station that used to be a school, he could see yellow, green, and pink auroras, arcs and streamers and rays of bouncing pearl, and he told himself it was indeed cold enough for northern lights, the summer was a summer only of the mind. The dusty smell of blood would never go away, but like some maroon revenant had ousted for ever and ever the sweet scent of water the burial service invoked. His eyes brimmed as he heard, at a colossal distance, the lazy swish of intact trees bloated with chlorophyll, then teared when he gazed, with head propped up against the end of the drawer, at the sun lolling fat on its course beyond the smoke and the auroras. I am who I am, he coerced himself, I am who I have been. That much remains, and wherever I go the land will fall away steeply to the pond at the bottom of the garden and the hill shall rise from there until it meets the sky. And now it was as if the colored lights in his head had begun to squeak; he felt with one hand for the other and, in a spin of silly mental momentum, winced at the thought. Which was worse, the gone hand feeling for the still present other or vice versa? To grope for something with nothing, or for nothing with something? It was not a vital distinction now, even though something comparable had gone wrong with his feet as well, where the cold began that bulged upward along the length of him inside the shreds of his major’s tunic. Having gone to war in full regalia, like a throwback to the nineteenth century, he judged he had no right to decide what explosive engine of war had hit him as he galloped south-east from Warsaw, bidding his mother and war adieu to refind his wife and son somewhere in the bloody mark of the small town where they had last embraced, a slewed tripod of love in the garden at Kazimierz, leaning their bodies blindly together while some passing bird, as they discovered a moment later, released a pellet of white wet lime that landed on his shoulder: a portent of good luck at which they miserably grinned before embracing again, and he’d left it there to dry in the sun, like a tiny additional epaulette.
        Assistant Military Attaché in Berlin, which he had been, before removing himself fast, with wife and son, as the Nazi design upon Poland became grossly clear, he had thought as logically as he could, getting them all three out of Germany, then from Warsaw to the countryside on the fringe of an old city on the Vistula. All pacts wither in the making, he’d decided. Let’s make one of our own, even if it postpones an evil day for a week only. Evil day? Devilish eternity’s more like it. So he had, as it were, put away both wife and child, like a cache of gold and cream in a land awaiting heathen predators, and had gone to do his duty with pistol, sword, fire iron or gardening fork, he whose métier for years had been the desk, although he had kept in riding practice at the Krampnitz cavalry school, so at least he would not be unseated while attacking a tank or machine gun nest. Something huge-feeling in his eye, like a reified whirl of light, made him wince, reminding him of an engine cinder which, in boyhood, hit his other eye as he leaned over a bridge to watch a train, and the wince shook loose a few forgotten words, which he lip-formed with almost holy slowness: Poland, Switzerland, Admiral, the suits, the boy, Wanda, the bird-lime, the pigsty, the bank, the money, the farm, the telephone lines all cut.
        It was no use: the part of his mind which identified gibberish and denounced it, pitching it out from his sleek diplomatic-military chessboard of ideas, no longer functioned, and the dead came back to haunt him, to be worried about, even as his conscience let slip the living, on whose behalf he had invented so many paper stratagems, including a small cave dug in one of the ravines near Kazimierz and use of the twin-engined courier plane to get them all away, northwest to Denmark, southwest to Switzerland. There had been no time to make the cave, and the plane, on one of its shuttles between Warsaw and Berlin, had vanished, shot down for target practice by a Luftwaffe pilot on the prowl. Not that Ludwik Czimanski knew this, or any longer cared; his father, who had died in his chair, drumming his fingers incessantly on the arm in a tattoo bespeaking helplessness and diffident rage—thrim-thrum, thrim-thrum until his wife facing him held both of his hands still—came back to life as a hostage to fortune, to be smuggled out by airplane or squirreled away in a cave. Indeed, a line of people formed in his head, his father first, then his mother still creaming her arms with an imported aloe lotion (she who crooned in her sleep, in a half-dream repeating that voluptuous motion along each arm, although untidily), then these two followed by his grandparents, fidgety cardboard caricatures with wolf-head canes and spilling samovars, behind whom came the living such as the Sakals, both teachers, and she part-Jewish, with a single child, a girl sensuously named Myrrh with whom his own dead son had played and walked and (he’d supposed) mildly necked. But, in the sea-changes of his delirium, while the sun of his last day bloomed and waned behind the smoke, the dead and gone did not come to life only when the living gave up the ghost. It was more complicated than that. Instead of life-for-death exchanges, these beloved phantoms rang the changes in a parody of resurrection, and a host of proverbs turned morbidly inside-out: after God’s finger touched them, and they were no more, God’s finger touched them again, and they asked to be saved from Adolf Hitler; in the midst of life, they were in death, and then they were not, and they asked for visas to America. Even worse, while this chop-and-change ensued, blighting with fickle guilt what he no longer even recognized as the drift into coma, he somehow found the head of his dead wife, Wanda, on his live grandfather’s trunk, and one dead grandmother’s arms on his dead son, Izz, at all of which in his enfeebled dither he rebelled, and in so doing rid himself of all categories, at the almost very last abolishing the category into which he slid. And so, dying, he could not die, he had never been alive; indeed, so far, on the planet, there had been no life at all, but only a flicker of a promise decked out with plausible ghostly faces, brought into being by a Creator whose main purpose, initially, was to try out the capacity of humans-to-come to love one another. Then, the test over, these figments could vanish. And they did. One day during some effusive eon there’d be humans. Oh yes, he told himself, there are going to be people, the rocks will no longer be lonely, the water will be drunk, the birds will finally have heads and shoulders to squirt their whitewash on, the first onion will be fried, the hops be brewed into beer, the mice be trapped, the moss in the woods blot the first wound. On it went, a vast anachronistic alibi that piled up the more his blood became a drizzle, the last of it arriving in the open air mist-slow because there was no longer anything behind it to push it along. Major Czimanski died in a bloodless plethora crammed with the evidence of things not seen.

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PAUL WEST is the author of 50 books. He has received awards from the American Academy and Institute of Arts and Letters, the Lannan Prize for Fiction and the Halperin-Kaminsky Prize. He was named a Literary Lion by the New York Public Library and a Chevalier of the Order of Arts and Letters by the French Government. He has also been a runner-up for the National Book Circle Award and the Nobel Prize for Literature. 

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Wednesday, November 12, 2014

BLACK SWAN: a poem, Erica Guo

black swan

It’s been twenty years and you still
want to cover up the canvas.
During the first time in heels,
you puffed your chest out for emphasis.
As the usual, people stared
at the mother and her daughter’s growing behind,
marks of chocolate plumage.
A strut here, a strut there.
And it was almost the routine again:
play with the palette, give up your unruly,
slap on the rules.
Between drugstore aisles,
stilettos clanged against every inch.
I wondered: Couldn’t a duckling enjoy her color quietly?
You stopped short when I cupped the nail polish.
It would pull the shroud back
from your face and toward your hands again.
But it’s black, you cried. Black!
You grabbed the foundation, too light
for your cheek.
You held onto the sick powder.
I forced your hands to your side.
Your eyes stilled onto the sleeve of your sweater.
The smell of Mercurochrome
hunted you on the way out,
through twenty years, til today,
the way everyone hunted dark birds
with their eyes
until they flew no more.

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Erica Guo has worked on the staffs of Blueshift Journal and Transcendence Magazine, and co-founded Cenzontle Magazine: http://cenzontleliterarymagazine.virb.com/

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Monday, October 20, 2014

Poems from Scotland

Three Poems by the Scottish poet Stephen Watt


Dunoon Girl

Our visit to Dunoon coincided with pellets of sleet
beating off the shorefront glass.
The statue of Highland Mary, now the centre
of a rain dance by the ducks, stared across to Largs
as though love had been swept out to sea, and on to jagged rocks.
In my mother-in-law’s tiny kitchen, stacks of cushions
submerged a flowery couch, converted into a makeshift bed.
Someone was once murdered here, she flippantly said.

The clutter kept me awake; several calendars
circling special dates, magnets on tenterhooks,
shelves of dusty, old books
and large, rustic boat hooks
aligned every square inch of that room.
Wind chimes tinkled from suspended tubes at the window,
invading silence the same way a whistling kettle
unsettles the skittish ilk, and spills midnight tea

                        with jiggling spouts of milk.

Level with the washing machine, my mobile signal
was lost in the swirl of Argyll draughts
overwhelming telephone masts.
Creaks of floorboards behind the kitchen door
led to short, sharp barks; a small dog,
curious to know why his sleeping basket was out of bounds.
The fading purr of someone’s drunken laugh
wisped into the fairy glens like leaves rustled on the ground.

My love, extinguished as an oil lamp,
drifts on dreams of fields of blooms,
dried and scattered across a ballroom
where every dance is a first; and the last.
When the night had passed and dawn’s mask
was removed from the sapphire irises of the Clyde,
dark crescent moons hung beneath my eyes
like the tragic past of the girl

who stands alone upon Dunoon’s dockside.



The Slugger

Boxers orbit one another.
Cerise gloves, poised like garter snake tongues,
flick claret blurs during stomach churning voids;
the hawk-screech noise from the crowd,
mirrored on each gambler’s puss.

Cameramen battle for the final cut.
Screw shots, headlocks, trapped against the ropes,
r e l e a s e – mouth guards exposed.
Hook. Hammer blow. Buckled legs, floored.
Who; what; when – on A Question Of Sport.

The bell liberates. Rise to feet.
Reputation is a sweated towel never thrown in defeat.
Squinted helmets realign
with flags of bruises upon punctured cheeks.
Glory is a fighter who refuses to concede.

Jab, face – jab, ear – jab, gut.
Journalist’s words on the back and front pages
become larger and more ostentatious
as each punch expels blood, BLOOD, BLOOD
until.................. enough.

The medal is gold. Your hometown is now famous.


Yewtree

The smell hit her, like the back of his hand.

She was only ten the last time she was here,
but nothing had changed.
Photographs of old Protestant Belfast
inside of grotty little picture frames
remained as threatening as two decades past.

The arms of his chair, black from mechanic’s hands
and oil rags, a forty-fags-a-day habit
which littered his carpet with tobacco and roach ends.
The caravan with no wheels, visible in the back yard
as it always was, where she and her friends
used to have sleepovers on occasional weekends:

Him, at the kitchen window, pretending to wash
the dinner dishes.

She rubs her arms as she climbs upstairs –
the third top step still host of the eeriest creak;
            the warning shot to be asleep.
Teddy bears sit on top of the cupboard, a handpicked, hand-stitched jury
without a verdict, silenced by a pervert’s sewn smile
and cold, glass eyes –

a child’s word versus alibi’s.

She remembers it all.
When her aunt left for the Bingo, he would
wrap her yo-yo string round her neck,
starting with dry humps and soft pecks on her cheek.
Then the next week, and the next week, and the next week...

She...
            Dare...
                        Not...
                                    Speak...
                                                Out...

The laughter and screams emanating from tents
over the fence where the scout hall stood
was a world away; a clandestine brotherhood.
Now, as the only remaining living relative,
she sees her childhood for what it was –
ruined, tainted, wasted, crushed.

She gathers                   firewood and petrol,     
            and turns everything he ever owned
            into a sacrificial offering

to Hell. 

*   *   *



Stephen Watt is a poet and performer from Dumbarton, Scotland. His debut collection 'Spit' was published in 2012, and he has since won a number of slams and competitions including Poetry Rivals, StAnza Digital Poetry Slam, and Tartan Treasures. Performances across the Glasgow, Falkirk and Edinburgh areas of Scotland, plus festival appearances at Eden and Wickerman, have enhanced Stephen's reputation as one of the exciting new talents emerging from the Scottish spoken word scene during 2014. 

You can follow his progress via the Twitter handle and Facebook links below.



Tuesday, October 7, 2014

Thaddeus Rutkowski: Two Poems

Two new poems by Thaddeus Rutkowski, reproduced here from a broadsheet published by
FOX CHASE REVIEW

Anarchist Manifesto

I believe in anarchy.
but not if everybody goes wild.

I want to be the only wild one,
among the law abiding citizens.

I want to be the hyperactive youngster
among the fuddy-duddies.

I want to run amok
while everyone else goose-steps.

I want to be the loon among the obedient geese.


Hong Kong

I wanted to eat fried scorpions,
or at least crispy grasshoppers.
But instead I ate chicken a la king at a KFC.
I was told snake was a popular food,
and the idea of snake struck me,
but the reality was, snake was out of season.

I expected everyone to be traveling
by scooter or bicycle, or on foot,
but I saw lots of cars, no simple conveyances,
and a vanishing network of hutongs, or alleys.
All signaled a consumerist system,
not a Communist colony.

Nubs of incense sticks sat in ash-filled burners
at doorsteps as if to ward off bad luck:
recession, financial breakdown,
a tip in the balance of trade,
loss of shelter from taxes or typhoons.
These were the Asian business risks.

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Thaddeus Rutkowski grew up in central Pennsylvania and is a graduate of Cornell University and The Johns Hopkins University. He is the author of the novels Haywire(Starcherone/Dzanc), Tetched (Behler Publications) and Roughhouse (Kaya Press). All three books were finalists for an Asian American Literary Award, and Haywire won the Members' Choice Award, given by members of the Asian American Writers Workshop. Haywire reached No. 1 on Small Press Distribution's fiction best-seller list. Tetched was chosen as one of the best books reviewed in 2006 by Chronogram magazine. You can find out more on his website: www.thaddeusrutkowski.com

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Monday, September 22, 2014

Bertha Rogers, Planting Wilderness: Hanford Hills Museum



     The interdisciplinary exhibit, Planting Wildness: Finding Roots in Delaware County, by  Bertha Rogers is now on view in the Museum's Power House through October 4th. The exhibit includes mixed media artworks, photographs, an accompanying video by Rogers and Jack Schluep (on view in Horace Hanford's Retirement Office), and logging artifacts from the Hanford Mills Museum collection.  
     Rogers's exhibit explains, through words and images, New York's Reforestation Program, which was started in the early 20th century to ensure New York State continued to have timber and forested lands. New York's State Nursery was established in 1902, the first in the nation, and major planting programs were begun. By the 1920s, forests were being replanted throughout the state, bringing back woodland to Delaware County and the State. Rogers shows how the land has changed since the Europeans settled in Delaware County. The exhibit aims to inform, by documenting her tree planting and that of others as well as the responsible harvesting and milling of the trees at places like Hanford Mills, the value of trees
Interdisciplinary Artist & Poet Bertha Rogers
on the land and the changing of Delaware County's ecology.
     Rogers moved to a few acres on an old farm in Delaware County in 1989. In the spring of 1990 she, with her family and friends, planted 1,000 Norway spruce seedlings on the advice of the Department of Environmental Conservation She also planted  a grove of black walnuts, hackberries, Shagbark hickories, Catalpas, white and red pines, maples, birches, green ashes, hybrid poplars, pin and white oaks, larches, willows, Eastern red cedars, apples, cherries, disease-resistant American elms, and crab apples as well as Rugosa roses, Red Twig dogwoods, High Bush cranberries, Autumn Olives, honeysuckle, and raspberries.
     The land has been transformed into a habitat for wildlife, including foxes, forest and field birds, turkeys, grouse, coydogs, groundhogs, weasels, deer, rabbits, an occasional bear, porcupines, opossums, and even a fisher cat.
     There will be a reception and reading by Bertha Rogers from 2 - 5 pm on Saturday, October 4, during the Museum's Woodsmen's Festival.The exhibit is on view during the Museum's regular hours, 10 am - 5 pm, Wednesdays through Sundays.
The installation is funded in part by the Decentralization Program of the New York State Council on the Arts, administered in Delaware County by the Roxbury Arts Group. The reading and reception on October 4 is funded by Poets & Writers, Inc. and Hanford Mills Museum, and will include a discussion about Rogers's artistic and poetic processes.
     Rogers has received grants and awards, including fellowships to the MacDowell Colony, Hawthornden International Writers Retreat in Scotland, the Millay Colony for the Arts, and Hedgebrook. She was given the NYS Association of Teaching Artists Distinguished Service to the Field Award for her work in arts education, the Ludwig Vogelstein Grant, and several Delaware County NYSCA Decentralization Grants for interdisciplinary exhibits. More than 600 of her poems have been published in literary magazines and journals and in several collections, including Heart Turned Back, The Fourth Beast, and Sleeper, You Wake. Her translation of the Anglo-Saxon Epic poem Beowulf was published in 2000, and her translation of the riddles from the Anglo-Saxon Exeter Book is forthcoming. Her art has been shown throughout New York and the nation and is collected by the Harry Ransom Center at the University of Texas in Austin and in many private collections. She co-founded, with her husband, Ernest M. Fishman, Bright Hill Press & Literary Center in Treadwell.gister now!

Friday, September 12, 2014

Four Poems by One Man

AT TWELVE
Jan Wroclaw

She bends her head
over her tablet, drawing
splendid maidens and silky
steeds that surely fly.

Outside the room
wars rise and fall again.


THE VERY LAST LILAC
Jan Wroclaw

There are all these gods,
these voices that went dead,
all these reasons why
we forget

some sons will rape
and some will kill,
and sons will weep
for what happens to the seed.


BARTONSVILLE IDYLL
Kenneth Oldmixon

Fire Is.
It fills the road with sun
striking cries of children, forging
fields to copper sung
with a clang of children.

Come brazen as the grain
banging your thighs and ring
your hair,
make me the liturgy of seed.


KETURAH CANDY (1858-1869)
Kenneth Oldmixon

Hello lover! How does it go
down there? All stone and leather?
Or settled to the mulch of our
best years. Do shards of lace
tease the tunnels of your bones?
I need to touch and thrill a rise
of skull to know if laughter
leaves a scar or tears erode
some way out, to trace
my maze of now become, a face,
although it hardly matters.


*   *   *

These poems are from a portfolio printed in 1989 at AXIAL PRESS in Hublersburg, Pennsylvania, by Richard Rutkowski. Twenty-four sets were made. The portfolio was hand printed by Rutkowski using the silk-screen process. There were also four illustrations by E. M. Hollis. The poems and illustrations were all created by Rutkowski himself, and attribituted to the various imaginary authors. Richard Rutkowski died several years ago, and AXIAL PRESS is no longer in operation.

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Wednesday, August 27, 2014

Certain Adverbs

PAUL WEST

an excerpt from his novel The Ice Lens
published by Onager Editions

IT IS NO surprise to me, and no one else cares, when I revert to my old pool-cleaning habits to cheer me up, or at least stabilize me when I'm in the dumps. I might be cleaning out the Augean stables, which I remember from that tattered old humanistic education--I recall the cleansing, but not Augea. Where was Augea? Simpler, always, to collect up the surface trash, mainly insects, and then swipe them far enough with a catapult action of the pole. Now they fly again, ungainly and smashed, protein for ants and spiders. Even when the surface of the water is immaculate, I cant the scoop at forty-five degrees and in a gentle sweep pick up the tiniest bits of fluff, pine needles already bleached white and the occasional human hair. Unrolled condoms appear once a week, their prospects rinsed away into the blue, while the lozenges made by the sun jostle one another on the bottom like primeval tectonic molecules bucking for dominance. It is an almost complete world, a paradise of ripple and rocking, the one motion stirred by the invisible ceaseless pump, the other by the crosswinds of midsummer. Sometimes, with permission, I perform my labors within the pool itself, sluicing my privates within the stiff sailcloth of my shorts.
All this was best done alone. It was no use with reposing, sated swimmers watching me, or even sunbathers who would never have dreamed of dipping a limb. When I was truly alone, say at a house temporarily unoccupied but with open pool against the occupants' return from Key West, I would get that cool-spined, ransomed feeling and slow all my motions out of torrid imagining. I was the last human left in the world, only to half-detect through the rear window of a cab parked thirty yards away what looked like a human head on the move. Not alone after all. It was that kind of flawed autonomy, in which I was master of all pools and all water, all pumps and heaters, all water-spiders and sombre, drowned mice. And, naturally enough, I was the only swimmer left, free to shout obscenities at the picture windows and the eaves, at withered geraniums in their tasteful tubs, and un-nourished espaliers hugging the walls like fugitives. The sun shone on most of this, giving me what I called that old Egyptian feeling, like a well-baked loaf to be installed in the royal tomb.
I never cleaned pools before the Gulag, after which of course I had that abiding horror of not knowing how or where she was. Cleaning pools was an attempt to deflect and calm my agitated mind; there was always worry behind it, gnawing and spewing. Was it then that I first allowed myself to fudge up what I called my calm sea and prosperous voyage stage of thought? It was a deliberate attempt to have wholesome thoughts, to lull and smooth myself during even the worst moments, when it was not enough to shout "Speedo!" and crack off into some jolly fit. A deep breath, the deliberate misuse of certain adverbs (radiantly, mellowly, uniquely, rewardingly) and the donning of rose glasses: that began it, and the rest of it amounted to a translation from the offensive or the baleful into the pacific. Imagine how such a practitioner fared at the Gulag, having begun as a man seeking to cheer himself up, now graduated into put-upon tadpole in a sink of putrid horrors. Sleight of hand gives way to a benign terrorism practiced upon oneself in the interests of staying sane. The combination of joyous elements and callous third-degree mixed us all up, enabling me to recall meadows, but full of blood, warm drinks at bedside (Horlicks or Ovaltine), but poisoned, and so on. Now and then, less the man I was, I recall trapping yellow jackets under the mesh of the scoop, and forcing them lower and lower into the water, watching them panic toward the rim and climb over, at which I turned the mesh upside down, trapping them again. They soon stopped panicking and did a few barrel rolls, after which they lay inert on the mesh. I never felt so godlike as then.

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PAUL WEST is the author of 50 books. He has received awards from the American Academy and Institute of Arts and Letters, the Lannan Prize for Fiction and the Halperin-Kaminsky Prize. He was named a Literary Lion by the New York Public Library and a Chevalier of the Order of Arts and Letters by the French Government. He has also been a runner-up for the National Book Circle Award and the Nobel Prize for Literature. 

To order The Ice Lens: http://www.books123.org/product_info.php?manufacturers_id=12&products_id=316&osCsid=dede3f55f27b887956756418997e5638 


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